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SHOW John to (john) (12)

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  • card

    Author: SHOW (John)

    Description

    L SHOW (John). St. Peter’s sin and. true repentance amplified and. improved in a discourse Lon Luke xxii., 60, 61, 623 oaoasion’d by the pub].iok profess—a ion of repentance made by T. W...in the English Church at Rotterdam, December the 3d, l67,etc. pp. 36. 4. London, 1692. Imperfect; a small Rortion has been out away both from tbe half—title and from the tit1epge.

    Card ID: 354


  • card

    Author: SHAW (John)

    Description

    Z’t1VF Sta SHAW (John)., ibunder of John Show ‘s Club, Yar.ches tar. See STANCLIFFE (Frec1erjck Stancliffe). John Shw ‘s, 1738-1938. (Xnta ins an account of it founder.J [4nchesterJ, 1938.

    Card ID: 289


  • card

    Author: CORBIN (John)

    Description

    ‘li-lEE’ Cr CORBIN (John). The Elizabethan Hamlet: a 8tudy of the sources and of Shakspere’s environment to show that the mad scenes had a comic aspect now ignored... With a prefatory note by F.Y.Powell. pp.viii. ÷ 91. 40• I.ondon and New York, 1895. With an inserted portrait of Sir T.G-reshain.

    Card ID: 348


  • card

    Author: CURWEN (John Spencer)

    Description

    DEPQSITQy CURWEN (John Spencer). Musical statics: an attempt to show the bearing of the facts of acoustics on chords, discords, transitiors, modulations, and timing, as used by modern musicians...New edition, revised by T. F. Harris. pp. iv. + ‘ii6. Diagrams. 8°. Lpncioi, t1897].

    Card ID: 376


  • card

    Author: No Author available

    Description

    Maicoim Morley Cdilecüoc 2 ‘:& 7 GAISWORTIff (John). The Show: a drama in three acts. 1925.

    Card ID: 83


  • card

    Author: No Author available

    Description

    YQ D2 G tTh (John). See D’AICY (Msrg8rette) nd ARD( (John). The Non-stop Comioll.y show: a dramatic cycle of continuous struggle in six parts. London, 1977—78.

    Card ID: 435


  • card

    Author: SHAKESPEARE (William)

    Description

    C&r SHAKESPEARE (William). [Hamlet. — Appendix.] See CORBIN (John). The Elizabethan Hamlet: a study of the sources and of Shakspere’s environment to show that the mad scenes had a comic aspect now ignored,.etc. London and New York, 1895.

    Card ID: 493


  • card

    Author: No Author available

    Description

    Malcolm Morley Collection SO.41E (George). Lilian, the show girl; or, the Poor strollers and the pedlar’ s pack: a roinntic drama in two acts. 11886.] See DICICS (John). Djckst stuidard plays, 739.

    Card ID: 22


  • card

    Author: NN (Pierre)

    Description

    MbQ9 CLQ CLOSTERMA_NN (Pierre). The Big show: some’eicperiencesof a” Px’hOhfihter iIot ifithe R.A.P..., Translated by O.Berthoud. With a foreword byMarshalotthe Royal Air Porce7sir John Slessor. (Second impressions) pp. 256. Portraits afld plates. -. 8. London, 1951.

    Card ID: 526


  • card

    Author: HARRIS (Thomas Frederick)

    Description

    DEPOSJiQy HARRIS (Thomas Frederick). cuiViEN (John S.) Musical statics: an attempt to show the bearing of the facts of acoustics on chords, discords, transitions, modulatiDns, and tuning, as used by modern musicians...New edition, revised by T. F. Harris. London, [1897).

    Card ID: 344


  • card

    Author: PROWN (Jules David)

    Description

    Folio 33 VLb Pro Reference only PROWN (Jules David), American painting: from its beginnings to the Armory Show. Introduction by John Walker. Text by Jules David Pr own.• (Paint inCoHiy). pp.145. BbLfl1us. [New York, 19693.

    Card ID: 273


  • card

    Author: No Author available

    Description

    YQ D2 32G D’ NCY (Marge.retta) snd ARD (John). The !on—stop Connolly show: a dramatic cycle of continuous struggle in six parts • 6 parts in 5 V018. I.ondcn, 1971-78. Parts 1-2 • Boyhood 1868-1889. Apprenticeship 1889—1896. 1917. Pert 3. Professional: 1896-1903. 1978. (2. Pert ii.. The New world 1903-1910. 1918. . Pert 5 The Great lockout 1910—191i. 1978. Q Pert 6. World war and the Rising: 19A-1916. 1978.

    Card ID: 380